Notably, some of the controls have secondary options, which are morphed to when the Alt footswitch is pressed. There are some traditional sounds on offer, the majority of the six sounds the pedal has on board are designed not to emulate the sound of a particular space but instead to create distorted, glitchy and dynamic ambiences. ![]() The Rooms is a strong candidate for addition to your ambient board: it’s stereo, it has a multitude of controls, core sounds and expressive capabilities, potentially infinite sustain and of course, that lick of Death By Audio’s signature sonic chaos. Price: $449 (direct from Hologram Electronics) Description: Granular multi-effects unit with phrase looper Controls: Effect selector knob, knobs for ‘Activity’, modulation shape and frequency, filter frequency and resonance, mix, delay time, delay repeats, reverb space and time, loop level and loop fade time, bypass footswitch, tap-tempo/rec/play/dub footswitch and hold/stop/erase footswitch Mono or stereo: Stereo Earthquaker Devices Afterneath V3 ![]() The phrase looper can also help create meaningful repetitions within more abstract soundscapes, and if you’re not feeling in the ambient mood, the pedal is capable of some more traditional effects, too. Thanks to the nature of granular sampling, your sound becomes strongly abstracted from the idea of any sort of guitar. The Hologram Microcosm certainly capitalises on the promise of transformation: making use of granular sampling, it slices your signal up into tiny samples, and then rearranges them to create incredibly gorgeous and unique delay, reverb and glitch effects. + Huge amount of options and effects + Versatile operation with a lot of connectivity – Control set might be overkill for some The best ambient guitar pedals at a glance: There are countless other creative ways pedal makers have allowed guitarists to create ambient sounds, so let’s dive in. In this context, too, delays and reverbs are often favoured for their cleaner, less abrasive approach to creating sustain. Sustain can be extended ‘naturally’ with overdrive, distortion or harmonic feedback, but delays and reverbs also extend a note or chord, and can offer some interesting ways to manipulate it. ![]() A note’s attack can be hidden by EQ-ing out high end, or by rolling up your volume control (or a volume pedal) after strumming to create swells. This ‘plate reverb’ was very popular for studio use, but still required a lot of space.These two things can be achieved in countless ways. The first was suspending a metal sheet from springs, and then running input through it. This was costly and took up a lot of space. As a result, early reverb was created in studios using dedicated echo chambers, where sound was routed and then re-recorded. ![]() Natural reverb can of course be heard in places like caves, or buildings like cathedrals or concert halls. Where echo and delay pedals give clear, identifiable repeats, the spacing of repeats – or reflections – in a reverb means that they're usually too close together to separate. Reverb is the sound of reflections in a space. They can model impossible spaces, even infinite ones, meaning that the only limit to what you can create is your imagination. Modern reverb pedals can go much further than that. What’s changed is that, with modern technology, you can bring the concert hall to the back room of your local pub, or your bedroom.
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